These are just a few examples of how what we might call the systemic/geopolitical scale is embedded in and affects the scale of particular bodies in this region—the list could go on and on, now including the disproportionate effects of COVID-19 on Brown, Black, and Indigenous communities here in the Southwest and throughout the U.S. This new collection maps the emotional and geographic cartographies of his various migrations, departures, and arrivals. Then he stops and closes his eyes to teach me how to …, Continue reading Black Lives Matter in the Pacific, 2020 →, View more on Craig Santos Pérez's website », Continue reading “Chanting the Mountains” →, “This Changes Everything” (Earth Day Poem), Continue reading “This Changes Everything” (Earth Day Poem) →, Continue reading “(The Birth of Guam)” (Poem) →. This book is a walk on the beach with Turner, with Shakespeare, with the Romantic Poets and shanty-singers. Ed Roberson Urban Warming. Community Groups; Discussions; Quotes; Ask the Author; Sign In; Join And if we understand place as a verb that is constantly in composition, perhaps there is a radical possibility for making a better world. I am also cognizant that a lot of our students may not have access to the same technology resources that I do. First Peoples, Plural — Yibing Huang and Craig Santos Perez – Read Yibing Huang’s (pen name: Mai Mang) “Four Poems on River” and Craig Santos Perez’s “Postterrain 3” and “Postterrain 4” in the First Peoples, Plural section of the new issue of Drunken Boat. What they share is the insight that race and place cannot be separated: and that these intertwined conceptions are essential to the existence of culture, resistance, and creativity. Found inside – Page 1Sometimes gods speak or we find ourselves in a not-too-distant future. Here are the glorious, painful, sharp and funny 21st century stories of Maori and Pasifika writers from all over the world. What are you working on? Essays Influenza 1918. Published for the first time alongside photographs by Nancy Naumburg, who accompanied Rukeyser to Gauley Bridge in 1936, this edition of The Book of the Dead includes an introduction by Catherine Venable Moore, whose writing on the topic ... Or maybe it’s better to say: unholy shit.Whether you’re on a post-vaccine rampage or not, this novel will be the most fun you’ll have this summer: a millennial comedy of manners that, just at the point where these things usually fizzle and disappoint, takes A Turn and morphs into a weird horror novel. He is a poet, scholar, editor, publisher, essayist, critic, book reviewer, artist, environmentalist, and political activist. These forces have direct impacts on racialized bodies and how bodies interact in space and place. [lukao], the fourth book in the series from unincorporated territory, by Chamorro poet Craig Santos Perez, offers a holistic and ecologically-sound meditation on cultural and linguistic reclamation. Industrialization and Urbanization. NMSU, where I teach, is a designated Hispanic-Serving Institution and, like New Mexico’s demographics as a state, has a minority majority student population with many first-generation college students. Partly this has to do with our location as an international hub for tourism, but also because it is home to many U.S. military bases, which have become super-spreaders. This first collection of poetry by award-winning Spoken Word artist, Grace Teuila Evelyn Taylor, marks her debut as a poet who can also move audiences with the written word. Found insideAs a volume, this book makes the compelling argument that ecopoetics should be read as "coextensive with post-1945 poetry and poetics," rather than as a subgenre or movement within it. In 2018, Craig became the series editor for the New Oceania Literary Series with the University of Hawaiʻi Press. I teach ecopoetics and creative writing, and we have very similar discussions. These statements are important; however, I also recognize that public statements can be a kind of performance as well as about effecting change. At the same time, I ask: how can poetry and poets engage with the public and political sphere beyond the page/book? I agree that we are lucky and privileged, as university faculty, to be able to largely work virtually from home. Among other honors, his previous writings, all set in the … In some cases those statements might be like the extra-loud gasps in that theater in your poem. How has it changed the way you think about place? 315-30, recognizing and commending Craig “as an accomplished poet who has been a phenomenal ambassador for our island, eloquently conveying through his words, the beauty and love that is the Chamorro culture.”, “Halloween in the Anthropocene” (poem-film), University of Hawaiʻi, Mānoa faculty page. He is the author of five books of poetry and the co-editor of five anthologies. Found insideDefinitive and daring, The Ecopoetry Anthology is the authoritative collection of contemporary American poetry about nature and the environment--in all its glory and challenge. Craig Santos Perez and Eric Magrane, two of the editors of Geopoetics in Practice, continued that conversation in Terrain.org and spoke about their experiences as two writers and teachers coming from different racial and ethnic backgrounds and living in two very different places—the Pacific Islands of Guam for Perez, an Indigenous Chamoru author, and the American Southwest for Magrane, a White author. I wrote the most recent one in response to a quote by Inger Anderson, executive director of the UN Environment Programme, for Joseph Harrington’s climate blog, “Writing out of Time.” I saw that you had a conversation there too, about Habitat Threshold. Grounded in the ancient grandeur and beauty of Hawaii, this collection is a haunted and haunting love song for a beloved homeland under assault. Dave Smith. Craig is the author of two spoken word poetry albums, Undercurrent (2011) and Crosscurrent (2017), and five books of poetry: from unincorporated territory [hacha] (2008), from unincorporated territory [saina] (2010), from unincorporated territory [guma’] (2014), from unincorporated territory [lukao] (2017), and Habitat Threshold (2020). He was a faculty member for Voices of Our Nations Arts Foundation (VONA, 2018), Kundiman Writers Retreat (2019), and Mokulēʻia Writers Retreat (2019). Even though our family is spread out across the country, we had planned on visits over the past half-year that had to be cancelled. Beth Morgan, A Touch of Jen Little, Brown, July 13. It seems like all our projects, along with all that we have discussed here, are different ways to connect to places, honor our interconnections, and cultivate mutual care. He is a Kundiman Fellow who studied with the First Wave program at the University of Wisconsin, Madison. My wife and oldest daughter have asthma so we are being very cautious. I am teaching online as well, and primarily only leaving our apartment for essentials or for neighborhood walks. Eric Magrane: As a teacher, one of the basic things that I try to do in classes such as world regional geography or cultural geography is to make the distinction between two important grounding points: 1) that race is not biological, but is a social construct with a particular history; and 2) that race—as a social construct—has real and clear impacts on how the world is ordered. Also connected with this are place names, which “encode meaning and memory,” as Lauret Savoy writes in her book Trace. My spouse Wendy and I have also been writing personal letters to our toddler. Terrain.org is the world’s first online journal of place, publishing a rich mix of literature, artwork, case studies, and more since 1997. A group of scholars recently published an open letter called “An Environmental Humanities Response to Coronavirus,” which makes similar connections between the pandemic and environmental destruction and social justice, and which makes a call for reviewing one’s diet and limiting flying, among other actions. ‘Stop gasping so loudly!’ I shout in my head. Yes, the question of scale is so important. For his scholarship, he has received a Ford Foundation Fellowship  (2009-2011) and the American Council of Learned Societies Scholars and Society Fellowship (2020-2021). A modern poetry anthology that includes the work of a second generation of Asian American poets who are taking the best of the prior generation, but also breaking conventional patterns. To pick up what you said earlier about the forces of colonialism, militarism, and tourism, I’m struck by how we can approach this discussion across different scales. I try to teach my students that poetry is a powerful form through which to uncover and recover the ecological layers of a given place. In general, though, I hope that people will value more the places we live, and to spend more time learning about the layers of histories and stories. Articles by Craig Santos Perez on Muck Rack. Together, this is a creative treatise toward the integrity of continuance, and against fear of the other, the 'other' being as much 'nature' as person. Continue reading Craig Santos Perez: The Poetics of Mapping Diaspora, Navigating Culture, and Being From (Part 5) → Barbara Jane Reyes Uncategorized Leave a … Eric Magrane: I agree and hope likewise that this is an opportunity to move toward more sustainable and just practices and economies grounded in place. He serves on the editorial boards of Sun Tracks, an indigenous literature series with the University of Arizona Press, and The Contemporary Pacific, an academic journal of Pacific Islands Studies published by the University of Hawaiʻi Press. By Craig Santos Perez. He is the Craig Santos Perez is an Indigenous CHamoru scholar and poet from the Pacific Island of Guåhan (Guam). In my work I try to acknowledge this and then serve as an ally to those on the frontlines of fights for environmental and social justice through my teaching and writing. Here in New Mexico, where I teach, I think about the marks that the U.S.-Mexico border makes on the land and on people, and about the complicated relationships that have been layered and inscribed on Indigenous lands by Spanish colonial power, and then by U.S. power. Drew Lanham, Haunted by the Wilderness: An Interview with DJ Lee, Life in the Residue: Christopher Schaberg’s. Amazon.com: craig santos perez. We had mostly clean water, food, and air, and I grew up learning that my body belonged and that it was, for the most part, safe. Essays Influenza 1918. Craig Santos Perez, a native Chamorro originally from the Pacific Island of Guåhan (Guam), has lived in California since 1995. Lilace Mellin Guignard. A Chamorro native from Guam, he now lives in Hawaii and writes about his island home, Guam, and its history, the environment, and other social topics in the hopes of educating … Found insideCollected here are poems of great breadth—long narratives, political outcries, experimental works, and traditional lyrics—and the result is an essential anthology of some of the best poets writing now. In the Pacific, there are many “storied places” with historical, cultural, and political palimpsests of meaning. How do you think our sense of place will change? In particular, I’m thinking about geopolitical—state and economic—power, and its intertwining with those forces you mention, and how those forces affect the individual local scale of the body. Complementing these is a moving essay about his journey toward integrating his homosexuality into his creative and public life as a poet. Sadly, geopolitical forces have indelibly toxified Pacific bodies and foreclosed our habitats. I currently live in Hawaiʻi, so I also acknowledge that I live and work on unceded native Hawaiian lands. I have been thinking about the connection between atomic geopolitics recently since the 75th anniversary of the bombing of Hiroshima and Nagasaki just occurred. With Involuntary Lyrics, we see Aaron Shurin again at the vanguard of lyric eloquence and ethical rigor as he audaciously uses one of the seminal sonnet sequences in the history of English love poetry to extend the limits of current ... View the profiles of people named Craig Santos Perez. Copper Yearning invests itself in a compassionate dual vision—bearing witness to the lush beauty of our intricately woven environments and to the historical and contemporary perils that threaten them. The hand manipulates a surgical etymology through the spine: the longitude where “history gathers in the name we never are.” The poems seek to speak beyond codified aesthetics and dictated identity politics in order to recognize a ... Ellen Goldsmith “Who Will Tell Them” by Michael Simms “Ghazal for the End of Time” by Jane Hirsfield, from her book Ledger ‘The Ponds” by Mary Oliver . He has performed his poetry and delivered lectures in Guam, New Zealand, Australia, French Polynesia, Taiwan, Hong Kong, Singapore, the United States, Canada, Puerto Rico, England, Germany, Liechtenstein, and Russia. One thing that I wonder is what the world will look like once we more fully re-emerge from the sheltering at home, presuming that there is an effective vaccine or cure or treatment for the pandemic. Excerpts from Beston's nature book "The Outermost House" are interspersed throughout the story. He’s also the co-editor of five anthologies and a professor in the Department of English at the University of Hawaiʻi, Mānoa. When we re-emerge, I definitely think that our understanding of place will be profoundly altered. Found insideThe volume editors, from Micronesia themselves, have selected representative works from throughout the region—from Palau in the west, to Kiribati in the east, to the global diaspora. 4.47 avg rating — 76 ratings — published 2008. I also like to think about and teach place as a verb rather than as a noun—Robin Wall Kimmerer’s work on the “grammar of animacy” is great for this. I have several units organized around how race influences how we experience and thus write about the environment. A highly ambitious and visionary poetry debut from the first Mexican author in Chris Abani's Black Goat series. He walks slowly, with care, to teach me, like his father taught him, how to show respect. Eric Magrane: I acknowledge my positionality and privilege: as a white cisgender straight male, I have benefited from a societal system that explicitly and implicitly entitles people of my race, gender, and sexual identity and that was set up to do just that. On those walks, I note how we, as well as others in our neighborhood, have a different sense of personal space. I especially love the sign that quotes acclaimed Pacific scholar and writer Epeli Hau’ofa: The protest occurred at high noon, as several community groups gathered across the street from the East-West Center. Craig Santos Perez, a native Chamoru from the Pacific Island of Guahan (Guam), has lived for two decades away from his homeland. William Alfred Nu’utupu Giles is a Samoan-American poet from Honolulu, Hawaii. Welcome back. “Thanksgiving in the Anthropocene” by Craig Santos Perez. Undercurrent presents poems by Pacific poets Brandy Nālani McDougall (Hawai‘i) and Craig Santos Perez (Guahan) from their poetry collections The Salt-Wind, Ka Makani PaÊ»akai (2008) by McDougall, and from unincorporated territory [hacha] (2008) and [] (2010) by Perez. Hello Select your address All Hello, Sign in. Two sonnets by Craig Santos Perez. Here are some of the signs we made. By Jane Brox. As I write that, I know that it may sound corny, simplistic, or naïve, but it’s also what I am trying to bring into all my writing, teaching, and research. Found insideThis book is a masterpiece that captures, with elegance, the raw sorrows and joys of human existence."—Buzzfeed's "Most Exciting New Books of 2016" "This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new ... Here in New Mexico, we’re geopolitically linked to you in the Pacific Islands through our atomic and nuclear landscapes. Found inside – Page viiI would like to thank Will Alexander and Cecilia Perez for kindly allowing myself and Craig Santos Perez, respectively, permission to quote from their poems; editors Karen Thornber and Tom Havens for giving permission to reprint John ... Craig Santos Perez is the author of five books of poetry, most recently Habitat Threshold (Omnidawn, 2020). How do we do this without turning into people who are fearful of physical interactions with others? As important as it is to keep a safe distance, I also deeply miss being with extended family. Epithalamia. Craig Santos Perez is a native Chamoru from the Pacific Island of Guåhan/Guam. As far as how “our” sense of place may change, I want to return to your point about sense of place being contingent on who the “our” is in that construction. Detailing the audacities committed to bring each Thanksgiving dish to the table, Perez reminds us to remain keenly aware of each other’s suffering, thankful for the work of … Essays Influenza 1918. Want to Read. “Guam is Where Western Imperialism in the Pacifc Begins!” St. Helena Augusta, tayuyute [ham] : pray for [us]. By Janisse Ray. No half-life to sorrow: but unending sorrow and rage and terror, expressed in blazing and eloquent poems, at the barely imaginable environmental crisis that has become … Found insideHab?a sido un arbusto desmedrado que prolonga sus filamentos hasta encontrar el humus necesario en una tierra neuva. ‘Everything already changed for native peoples centuries ago!”. I have only witnessed the migration and refugee crises from afar, but I feel troubled by the inhumane response to build borders, detention centers, and deportation regimes not only in the U.S. but in many nations around the world. Craig is an indigenous Chamoru (Chamorro) from the Pacific Island of Guåhan (Guam). I hope that we can create a world in which our kids will be surrounded by play, imagination, and love. My daughters are six and three years old, so I can relate both to the lack of boredom and quiet, but also to interacting with people differently when we walk around our neighborhood. Found insideThey trace these planet-spanning archipelagic connections in essays on topics ranging from Indigenous sovereignty to the work of Édouard Glissant, from Philippine call centers to US militarization in the Caribbean, and from the great ... Found insideA culturally diverse collection entering a field where nature poetry anthologies have historically lacked diversity, this book presents a rich terrain of contemporary environmental poetry with roots in many cultural traditions. Yes, my institution calls itself an Indigenous-Serving Institution and a Hawaiian Place of Learning, but it too is wrestling with various racial disparities, inequalities, and even betrayals of its mission. saving…. Found insideThis breakthrough book examines dynamic intersections of poetics and geography. Published in Rattle, Craig Santos Perez’s poem “Thanksgiving in the Anthropocene” gives a slightly dark twist to the idea of thankfulness. Also see Pacific … Found insideOne of the first Melvilleans to advance what has since become known as the “theory of the two Moby-Dicks,” Olson argues that there were two versions of Moby-Dick, and that Melville’s reading King Lear for the first time in between the ... Join Facebook to connect with Craig Santos Perez and others you may know. "Iep jāltok is a collection of poetry by a young Marshallese woman highlighting the traumas of her people through colonialism, racism, forced migration, the legacy of nuclear testing by America, and the impending threats of climate change" ... 2 reviews. New and Notable APA Poetry Reads for May 2020. Tag: craig santos perez. There are other places that we can no longer farm or fish because the soil and water have been poisoned. For example, we will read Hawaiian, Pacific Islander, African American, Asian American, Native American, and Latinx ecopoetry to map racialized ecologies. Reg Saner’s prose and poetry have appeared in more than a hundred and fifty literary magazines and in over sixty anthologies. You write: “When the documentary shows polluted native lands, the white people gasp extra-loudly. Um, holy shit. Award-winning New Zealand poet Karlo Mila presents her second collection of poetry, accompanied by exquisite paintings by Delicia Sampero. I, too, have benefited from my gender and sexual identity, and as an Indigenous person, I have thought about questions of place and environmental justice, especially in relation to the Pacific Islands, where I am from. Here … Perez is a poet from the Pacific Island of Guåhan/Guam and the co-founder of Ala Press. His work has been featured in The New York Times, Booklist, Publisher’s Weekly, Grist, The Sierra Club Magazine, BBC Cultural Frontline, CNBC, The Atlantic, Slate, The New Republic, Vice, The Guardian, The World Meteorological Organization, The Honolulu Star Advertiser, Honolulu Magazine, The Pacific Daily News, and The Guam Daily Post. Since March, I have been privileged enough to “shelter in place” with my family. For more than two decades, Terrain.org has published essential literature, artwork, case studies, and more on the built and natural environments—all at no cost to readers and without advertising. Through a variety of poetic forms, the poet highlights the importance of origins and. All rights reserved. I recognize this as part of white privilege. The (female) "Malcolm X" of Hawai'I's inconsolable grief and rage at the destruction of her people's land. I was raised as a vegetarian and we are raising our son on a vegetarian diet as well. Found inside"Hogan remains awed and humble in this sweetly embracing, plangent book of grateful, sorrowful, tender poems wed to the scarred body and ravaged Earth." —BOOKLIST COLORADO BOOK AWARD WINNER OKLAHOMA BOOK AWARD WINNER Throughout this ... I also have been “sheltering in place” with my family. Craig Santos Perez: I appreciate how your poetry, scholarship, and editorial work have also engaged with the complex inscriptions of power upon the land. Eric Magrane: Craig, I’m very sorry for all of the relatives you have lost. On the one hand, the difference between the home/domestic realm and the national/global realm are collapsed: the global takes place within the localness of the home. Yes, it has been powerful to witness the removal and debate over monuments and to see people radically re-imaging public space and, in turn, society at large. In 2010, the Guam Legislature passed Resolution No. Eric Magrane is an assistant professor in the Department of Geography at New Mexico State University and a member of Terrain.org’s editorial board. The personal is political, of course, and I am all for individual actions that taken together build collectively toward a better future; I think one of the tricks, though, is to both work on individual actions and keep an eye on the systemic issues. Unlike the endangered species list, there aren’t many natives in this line. Craig Santos Pérez. The line for the documentary is long, almost as long as the Hawaiʻi endangered species list. During the month of April 2018, the film was featured on COMCAST Cinema Asian America and The Hawaiian Airlines on-flight programming. For me personally, I would like to re-connect with the ecologies of the island on which I live, and to re-connect with all the environmental organizations that are working hard to protect the lands and waters here. For myself, I am always asking: how can poetry effectively address political issues (particularly related to the decolonization of my home island of Guåhan)? Dorianne Laux calls this Poulin Prize-winning debut collection "one of the best first books I've read in a while... spell-binding." Regarding your second question, about my own life and work: I grew up in an overwhelmingly white community in rural western Maine. Love in a Time of Climate Change (Sonnet XVII), poem, Craig Santos Perez (2017) 3. Essays The Lonely Ruralist. Found insideThe authors in this volume review mana’s complex intellectual history but also describe the remarkable transformations going on in the present day as scholars, activists, church leaders, artists, and entrepreneurs take up mana in new ways ... Special Feature ... CJB: A 2018 feature on the arts website It’s Nice That quotes you as saying, “I feel a responsibility too to my community—both Latin Americans and artists. He is a poet, scholar, editor, publisher, essayist, critic, book reviewer, artist, environmentalist, and political activist. This idea seems to be coming to the forefront of broad consciousness in the U.S., through debates about removal of confederate monuments, for example. He served as Chair of the Hawaiian, Asian, and Pacific Islander Board in the Office of General Education (2017-2020), and as the Director of the Creative Program (2014-2016 and 2019-2020).He earned a B.A. Craig Santos Perez: I have been inspired by all the moving visions that people have articulated in response to the pandemic, and I’m glad you shared the open letter by environmental humanities scholars. As individuals and groups, we then (re)produce or resist those orderings through our actions, in particular places. 1 talking about this. Guam itself was “downwind” from the nuclear testing in the Marshall Islands, and our people are still suffering from its impacts and advocating for justice and compensation. We’re trying to align how we raise him with our convictions, at the same time trying to live our lives with play, experimentation, imagination, love, and care. This pandemic was partly caused by the destruction of place in terms of deforestation, habitat destruction, urbanization, and globalization—so I also hope that we will pivot towards more sustainable and renewable practices and economies. How do you see scale operating in New Mexico (and/or the desert and the “Southwest” region) and in your own life and work? He is affiliate faculty with the Center for Pacific Islands Studies and the Indigenous Politics Program. On the other hand, it’s important for people who have white skin to examine how and why systems of white supremacy are internalized and (re)produced. I hate it when white people gasp extra-loudly. Found insideThe collection's sense of continuity and coherence comes through recurring poem types, including "still lifes," "instructions," and "symptoms." From "Symptoms of Aftermath": …When I am saved, a slim nurse leans out of the white light. In the Pacific (especially Guam and Hawaiʻi), the impact of geopolitical power on our bodies has manifested in the form of high rates of cancers, diabetes, obesity, heart disease, and more. Craig Santos Perez: Thanks for initiating this conversation, Eric, and for starting with an acknowledgement of your positionality and privilege. I have been teaching online, my kids’ schools and daycares have been shut down, and I only leave my apartment for “essential” errands, like groceries and pharmacy. "An elegy to a father, Matthew Wimberley's "All the Great Territories" explores both the relationship between a child and a parent and the landscape of southern Appalachia"-- Review by Craig Santos Perez ALCHEMIES OF DISTANCE by Caroline Sinavaiana-Gabbard Tinfish Press, 47-728 Hui Kelu Street #9, Kane`ohe, HI 96744; ISBN# 1-930068-10-7, 77pp., $12.00 ... quotes from Rukeyser and biographical data on her, and facts about West Virginia. By Jane Brox. Of all the white people here, I’d estimate that 99% …, “Interwoven”   1   I come from an island and you come from a continent, yet we are both made of stories that teach us to remember our origins and genealogies, to care for the land and waters, and to respect the interconnected sacredness of all things. Truth Thomas. Yes, so many aspects of solidarity statements, activism, politics, and social change is performative, and this performativity feels amplified in our social media era—a kind of “value signaling.” I agree with you, it is so important for white people in particular, but everyone in general, to maintain a “critical reflexivity” when confronting discomfort and trying to initiate personal and systemic change. He also serves on the Board of Directors for Pacific Islanders in Communication, which focuses on Pacific film and television. Horatio Clare joins two container ships, travelling in the company of their crews and captains. Craig Santos Perez, from unincorporated territory [saína], Omnidawn, 2010. Published on the cusp of the new millennium, Maori poet Robert Sullivan's third book of poems, Star Waka, explores themes of journeying and navigation, moving back and forth in time and focus to confront colonisation, contemporary political ... What if as an adult you unearthed this book of dreams and prophecy from your past and translated them out of that long lost tongue into poems that those now grown could understand? Place and space seem so much more local, domestic, and insular, but at the same time, I feel much more interconnected with other places through the national/international news broadcasts, as well as through the endless streams of social media and digital platforms like Zoom. I would also like to just spend more time with my kids at the beach or walking mountain trails, and I plan to spend far less time traveling. Lullaby in Fracktown. from unincorporated territory [lukao] is the fourth book in native Chamorro poet Craig Santos Perez's ongoing series about his homeland, the Western Pacific Island of Guahan (Guam), and his current home, HawaiÊ»i.